Before winning the 2016 presidential election, Donald Trump was a tough immigrant candidate who promised to build a wall on the Mexico-US border. This was the culmination of his promise to his political fan base. At an election rally, he denigrated Mexican Americans and Mexican immigrants in one fell swoop: “When Mexico sends its people, they are not sending their best. … They send people who have a lot of problems and they bring those problems with them. They bring drugs. They bring crime. They are rapists. ”Trump’s pledge to build a wall added another insult by calling Mexicans the modern Mongols, hordes of invaders breaking the southern border to commit crimes, rape and looting.
Trump’s commitment to building the Wall inevitably evokes a comparison with Pink Floyd’s “The Wall,” a hugely successful soundtrack from 1979 and later a cult film from 1982. Pink Floyd’s critically acclaimed work leaves a character like Trump and his political Ascent foreshadow the framework for considering the wall construction project – both physically and mentally – and the devastating consequences that may follow.
The story is about a boy whose father was killed in World War II. The boy struggles with adolescence, suffers illness and other trauma, and eventually survives adulthood and becomes a successful musician, Pink. On the way to his rising fame, he experiences increasing mental illness that is becoming a ubiquitous issue in his adult life. At some point he falls into a depression, triggered by his wife’s infidelity, a downward spiral from which he never recovers.
The end of Pink’s career shows him in the position of political power, or at least as such. His fantasy regime is a political machine that reflects the tactics and appearance of the German NSDAP. As a leader, he enjoys the authority to ostracize and suppress minorities. At a rally he explains:
Are there any gays in the theater tonight?
Put them against the wall
There’s someone in the spotlight, he doesn’t look right.
Put it against the wall
It looks Jewish! And that’s a raccoon!
Who let all this rabble in the room?
Someone is smoking a joint! And another one with spots!
When I go my way
I would have you all shot!
Based on these xenophobic utterances, the insane entertainer turned politician continues to decompose into destructive violence. The final scene of the film shows young children in a war-torn city who have to clean up the remains of a former uprising or war. The picture suggests itself as destruction by the erection of walls. While not having a father was a big hole in his life, Pink made countless children experience exactly the same thing.
The story of Pink and Trump overlap in a fascinating way. Both start their careers as popular entertainers and offer them a stage from which to start a political career. Trump’s campaign and presidency display sharp racist rhetoric and policies directed against certain religious and racial groups. At rallies, Trump asked specific questions such as “Any Hispanics in the room?” And drew supportive boos and sibilants from the audience. There is also the thought that influenced the Muslim ban: “I would close our borders until we find out what is going on,” reflects Pink’s own confusion: “Who let all this rabble in the room?”
Beyond physical barriers, Pink Floyd’s work challenges the audience to include the construction of the wall in their thinking. The film portrays the traumatic events in Pink’s story as “bricks in the wall,” the very wall that alienates him from reason. The wall represents more than just barriers that separate people, it also represents a path to self-loathing and uncontrollable anger, to being separated from yourself. Pink’s journey begins as a boy who once tenderly cared for a dying rat but later does not hesitate to destroy humanity.
Although time will tell whether Trump will follow the character portrayed in the film, he has already shown his willingness to play daring politics. It can only be a matter of time before the war coincides with his personal or political agenda. Pink Floyd’s “The Wall” features a psychological and narcissistic leader who is only able to lead the country astray. As Pink’s rally showed, there seems to be no end to labeling people according to their race, religion or other qualities.at some point they will all be devoured.
The overarching lesson of “The Wall” is that little good happens when repressive walls are built. When mental barriers are erected, alienation from the other side can be disastrous. “The Wall” anticipates a character like Trump and suggests that damage can only occur if such a person takes over power. This work was released decades ago and remains one of the best-selling albums of all time in the United States; in the Trump era, his message rings louder and clearer than ever.
Editor’s note: Image courtesy of Flickr / Camera Eye Photography. credit-n.ru
http://credit-n.ru/zaymyi-next.html http://credit-n.ru/zaymyi-next.html https://www.zp-pdl.com http://www.otc-certified-store.com/antiallergic-medicine-usa.html http://www.otc-certified-store.com/migraine-medicine-usa.html https://zp-pdl.com/emergency-payday-loans.php https://zp-pdl.com/fast-and-easy-payday-loans-online.php female wrestling http://www.otc-certified-store.com/osteoporosis-medicine-europe.html https://zp-pdl.com/get-quick-online-payday-loan-now.php https://zp-pdl.com/online-payday-loans-cash-advances.php www.zp-pdl.com айм всем на картусрочно айм на карту без роверокзайм в братске